Categories
Music

He is the Image of the Invisible God

He is the Image of the Invisible God

Opus 10 No. 2

1st Chorus

Glorious, glorious, glorious
He
Glorious, glorious, glorious



2nd Chorus

He is glorious
All so beautiful
Yet all mine
Shining radiant
Glorious
He is the image
Glorious



1st Verse

He covers and rules all the regions
Whatever the thrones or dominions
He is the ultimate champion



2nd Verse

He sustains your very existence
Loving and caring with such kindness
Works in you and through you to bless



3rd Verse

The Father out of His good pleasure
Decided all fullness and treasure
To dwell within Him without measure



4th Verse

His blood brings reconciliation
Away from evil thoughts and actions
Presenting you as pure and holy



3rd Chorus

He is the image
So, take your courage
And touch Him
He is glorious

Shining radiant
All so beautiful
Yet all mine

Glorious
Glorious
He, He
He, He



Bridge

Radiant, radiant, radiant
Glorious
Radiant, radiant
He is radiant, He
He is radiant, He
Radiant
Glorious



4th Chorus

Glorious, glorious, glorious
He, He
He, He
Glorious, glorious, glorious
He, He
He, He

He is the Image of the Invisible God

Audio

Categories
Music

ALMIGHTY GOD SAID…

ALMIGHTY GOD SAID…

Opus 10 No. 1

Power, power
Power, power
Power, power
Power


The 1st Day

God said
“Let there be light
Call the light day
Call the darkness night
See that the light is good”



The 2nd Day

God said
“Let there be sky
Let there be water
Let there be dry ground
See that it is good”



The 3rd Day

God said
“Let there be days and years
And seasons
Let there also be stars
See that it is good”



The 4th Day

God said
“Let there be creatures in the sea
And let birds fly across the sky
See that it is good”



The 5th Day

God said
“Let there be creatures on the ground
Let there be animals
See that it is good”



The 6th Day

Then God said (x3)
“Let us create man in our image
See that it is all very good”


Very good (x3)

Creation

God created heaven and earth in six days

ALMIGHTY GOD SAID…

Audio

Categories
Music

The Choral Ne Plus Ultras – Trailer

Music

Launching this Autumn…

Surveying choral compositions throughout the history of the world, I have never encountered music that starts with Genesis and ends with Revelation. This is 2025 AD, and over the next ten weeks I will be posting on Splashes of Ink the ten movements that are:

The Choral Ne Plus Ultras, Opus 10

Be prepared for

  • No. 1: ALMIGHTY GOD SAID… The creation of Heaven and Earth
  • No. 2: He is the Image of the Invisible God An exposition on the second person of the Trinity
  • No. 3: The Separating Veil is Torn! One aspect of Good Friday
  • No. 4: Christ the Rising Star a.k.a. Blink to the Moon! The brightness, and freshness, of Easter Sunday
  • No. 5: The Shulammite Woman The centre pages of the Bible finds ‘Songs of Solomon,’ and the halfway point of this composition is his favourite wife ‘The Shulammite Woman’
  • No. 6: My Eternal Peace After a night with one’s bride, there is peace in the morning
  • No. 7: The Alternative Three Magi! Would one expect smiles, laughter and joy on the morning of one’s honeymoon – even the jocular? You will not be disappointed, here!
  • No. 8: Jauchzet Frohlocket – After J. S. Bach If one’s plans for married bliss were thwarted, declare a holy war
  • No. 9: The Seven Spirits of Christ* Eschatological – Part 1: Cosmological disruption
  • No. 10: Christ Jesus the Beau Eschatological – Part 2: (a) The end of time, and (b) a life affirming ‘Heaven’s Anthem’ symbolising a new Heaven and Earth

Asterisk (*) denotes video special.

Intrigued?

To whet your appetite further, below is a medley of the music:

Book availability:

The Choral Ne Plus Ultras, Opus 10 Nos. 1-10 | Full Score https://shop.ingramspark.com/b/084?params=pkXaktRy1275BoZb5BWxe1pvqPTwv7q8HKTQi4nSpJi

The Choral Ne Plus Ultras | Words Edition https://shop.ingramspark.com/b/084?params=4KFRXNsDFM4A90R8feScVmE9C9VE2xykmFX5ksuBQ3w

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Categories
Love Music Summer

Summer Wind

Summer Wind

– with prologue –

by Michael Bobb

Prologue

"As the butler turned to go
after leaving the pressed morning edition
on the platter beside the bureau
I asked him to prepare afternoon tea

'Certainly,' he replies
'But the clock hasn't struck 11, sir'

'It's Midsummer’s day
and Madam and I,' I explain
'will be having afternoon tea
at the coastal house'

-

After an hour
everything is ready
and we begin to make our way

As we leave the grounds
I hear the characteristic buzz and snap
of the motorised electric gate behind us

I look in the rear-view mirror
and see the butler’s Bentley
I also see the housekeeper on the doorstep
waving us farewell with a handkerchief

As we turn onto the main side road
I ask Madam
who is checking her make-up
on the back seat of our Bentley
to check with the butler
via the two-way communication system
if he had remembered the vinyl records

He replies, 'Yes Madam'

Summer Wind

"...As the time reaches two and twenty past
both Bentleys arrive at the coastal house

The standard is raised
and the butler unpacks both cars
...including the music

'It's a beautiful day, darling
let's have tea
at the water’s edge'
Madam says

'How romantic'
I say

So, after removing our footwear
we carry two chairs and a table down the beach

After setting up next to some rocks
the butler serves us
then retires to a distance

I raise my voice and say to the butler
'Can you bring the record player from the house
and play some music?'

'Yes sir'

He fetches the player
and puts a record on the turntable
Quite calmly he presses... play

The music begins to play

The raised standard once still
begins flapping softly on the mast

Madam stands up
and starts tiptoeing backwards
just as she learned in dance classes
at finishing school

I stand up
turn to her
and start stepping backwards slowly
in true dramatic style

Madam changes direction
and starts tiptoeing towards me

As the music changes
she breaks into a run

And with a leap
she jumps into my arms

I catch her
We embrace sweetly in circular movements
Round and round and round

By now the music has become expressive
Expressive, pulsating and undulating

Although it is Midsummer’s Day
the clouds are gathering
and the wind is picking up

There are now white pony surfs
but soon they will be white horses

And what of the tide?
Yes, it's advancing
and quicker, too
as if the moon’s orbit
was being quickened
by the accelerating music

Then
there is a seventh wave
in time with the orchestra’s down bow
and the table and chairs topple over

But we keep with our
ever expressive dance

As the milk and profiteroles
fall to the ground
there is a greater smash of waves
onto the coastal rocks
just as the music reaches a tutti

The water is now rushing our shins
and the
wind whistles wildly...

We part briefly
And, just like ballerinas
raise both arms to form an arch
and pirouette

The music is now at its height

We both grasp each other's left forearm
with our own left hand
Right arms still arched in the air

We then look straight and deep
into one another's eyes
and begin an ever-increasing spin

As we spin faster and faster
and look deeper and deeper
into each other’s eyes
we are unaware of the tornado
we have created
Or, rather, not us but the music

We are focused 100% on each other
We are the centre of the whirlwind
Everything else is a blur

...Standard flapping vigorously
...Cream cakes pulverised
...Waves pounding rock
...Perfuse perspiration plies

Then, out of nowhere
a white bird descends
down the eye of the whirlwind
and lands calmly on our joined forearms

Our eyes once locked on one another
then looks at the bird
the pure white bird

The moment we do this
the music becomes softer
and our rotation slows down

The whirlwind dissipates

The butler then approaches and says

'More tea, sir?'”

Audio

Summer Wind

Read by Michael Bobb

Music: Adagio of Spartacus and Phrygia from Spartacus by Khachaturian

Categories
Summer

Summer Rain

Summer Rain

by Michael Bobb

"A few moments ago we left the hall
Where we had enjoyed the concert
It was a lunchtime concert
And finished about 2:30 pm

On the programme were waltzes
Polkas and arrangements of minuets
While we were there our toes tapped
And our heads swayed a bit, too

Now that the concert was over
We strolled back to the car
And decided to walk through
The ornamented landscape garden

Mid-summer’s day was last week
Melodies of high bird song was heard
And the Bistro beckoned us
‘Come and sample some delights’

So we took our seats near the maze
Decided iced tea and gateau
And after placing our order
We just sat for a second or two

As we sat under the parasol
We then talked about the concert
How spring-like and gai
The quartet had sounded and played

As our tea and cake arrived
There were a few light drops
Beginning to fall on the parasol
Just a little passing shower?

Thud... thud... thud...
Then the intervals grew shorter
Thud… thud… thud… thud… thud
And the birds in the trees gradually silenced
As the sound of the rain grew

The fine light rain was first quiet
Starting as a hushed pianissimo
But the composer had written a crescendo

This wet summer chorus
Was like the increasing sound
Of a sizzling frying pan

'Can you hear it', I said
'Nature is playing a waltz'

I stood up
Stepped out from under the parasol
And offered my right hand
And you accepted my invitation

We adopted the position:
Hand in hand
Hand on back
Hand on shoulder
An indivisible one

We started slow and in time
Thud, 2, 3..thud, 2, 3.. thud, 2,3
But the tempo was increasing
Ziz-zl-ing, ziz-zl-ing, ziz-zl-ing

We had to keep in step
From adagio…
To andante…
To maestoso…

Our gestures becoming more defined
From pianissimo…
To mezzo piano…
To forte…

Round and round the music took us
Our expressions wider and wider
Our heart beats were synchronised
All in perfect decorum

We were caught up in the music
It swept us off our feet
I swirled you round and round
First left to right, then right to left

On the outside was a summer shower
On the inside the tempest was free
Lightning bolts electrifying our souls
Waves crashing on the beach

By now heels and tuxedo were saturated
But we could not stop
We could not stop the dancing
Until the very last drop

-

When the clouds broke
And the sun came out again
We heard the birds singing

And we smiled"

Audio

Summer Rain

Read and played by Michael Bobb

Music: Prelude in D Flat, Op. 28 No. 15, ‘Raindrop’ by Frdédéric Chopin

Categories
literature Love Music Poetry Wagner

Wagner Special – Delivered

Wilhelm Richard Wagner

Saturday 14th June 2025, 10:30 — 12:00

Debunking Wagner

https://en.wikipedia.org/wiki/Controversies_surrounding_Richard_Wagner

?What myths have you heard about Wagner.

Ring:

‘Synopsis’

Royal Ballet & Opera video:

Rhingold ⬆️

Chapter 1: The Rhinegold

Chapter 2: The Valkyrie

Chapter 3: Siegfried

Chapter 4: Twilight of the Gods

Rhinemaidens:

Woglinde = Dance

Wellgunde = Music

Flosshilde = Poetry

Alberich – Elf, renouncing love

A representation of love: Stendhal‘s book titled Love

?What do you think about Alberich.

The following scenes in Chapter 1

Alberich’s repentance from sin. [Could Wagner be a Christian!?]

Wagner’s libretto — Stabreim

Groves Music Dictionary

Stabreim is a form of poetic verse

Iambic: Stress every second syllable

Shakespeare

Hamlet — “To be, or not to be: that is the question:”

Macbeth — “Double, double toil and trouble

Iambic Pentameter — 5 stress’ with a sentence of 10 syllables

e.g. Sonnet 18

Shakespeare & Goethe known to Wagner

Henry Cuyler Bunner, American novelist and journalist, on Goethe:

Shake, Mulleary and Go-ethe, poem

My poetry books:

  1. Soaring Higher
  2. The Tara Brooch
  3. Wagner’s Ring*
  4. Blazon

*Wagner’s Ring started. Not completed at the time due to Shakespearean Tudor anachronisms. However, someone said I “can still do it.” Decided on couplet paraphrase, instead AA, BB, CC etc. Next, Simon Armitage, Poet Laureate, publishes his couplet version of the Owl and the Nightingale. Took my copy to the stage production at the Southbank Centre.

Read my incomplete paraphrase of Wagner’s Ring, Chapter 1: Rhinegold, Ii

Open mic:

Nick

Angela

Closing small talk.

Played during the opening of my reading ⬇️. Ten-stringed lyre.
"From left to right by nature’s design
Flows continuously the ready river Rhine
Lighter turquoise evenly spread
Becoming darker towards the bed
Near the floor the water dissipates
Leaving an increasingly breathable state
This vaporous man-sized space
Moves continuously and at a pace
Across the floor of the riverbed
Where no man can naturally tread
Are rough rocks and undercurrent tides
And vertical caverns unimaginably wild."

Categories
Music Poetry Wagner

Wagner Special

This Saturday!

As part of the Penge Festival 2025, I will be putting the case for Wagner’s Ring, debunking the myths about the composer and delivering my paraphrase of the libretto – not the entire 15 hours! we have 1.5 hours. The Rhinegold, Ii.

Open mic.

Categories
Music

Instrumental Oracle: Piano — The Ne Plus Ultras

Music

Book launch:

Piano – The Ne Plus Ultras, Opus 9 Nos. 1-10

1.

GOD CREATES – “Wonderfully and Fearfully” | Opus 9 No. 1

“I think I’ve just uncreated music!,” I once exclaimed. This is the first piece of ten, beginning with the beginning. Bibl. Genesis :1, Psalm 139:14.

2.

Gloria — “He Is the Image” | Opus 9 No. 2

This piece contrasts staccato and legato passages. Bibl. Luke 2:14, Colossians 1.

3.

The Crucifixion — “The Veil Is Gone!” | Opus 9 No. 3

The Crucifixion — “The Veil Is Gone!” | Opus 9 No. 3

At The Crucifixion, the holy of holies separating curtain was torn in two. Up until that time, Jewish priests faced possible death when making atonement in the temple. I have captured their terror in music – and the horror of Calvary Hill. The next piece. Bibl. Matthew 27:35, Mark 15:24, Luke 23:33, John 19:18, Leviticus 18:2.

4.

The Star in the East — “Blink to the Moon!” | Opus 9 No. 4

This title relates to Eastertide – including the Ascension. Bibl. Matthew 28:6, Mark 16:6, Luke 24:6, John 20:17, Acts 1:9.

5.

King Solomon and the Shulammite — “Princess of Jerusalem” | Opus 9 No. 5

This piece is about the heights of passionate, intimate love between husband and wife. Bibl. Song of Songs 3:9, 6:13.

6.

God My Peace — “Before My Eyes Open in the Morning” | Opus 9 No. 6

This, ‘God is my Peace’, piece is exclusively relates to the Christian supernatural experience. Bibl. John 14:27.

7.

Mr Spock’s Capriccio – “Toccata” | Opus 9 No. 7

‘Mr Spock’s Capriccio’ receives the toccata honours – with the concluding bars supplying another level of humour in the form of a lullaby. Bibl. Ecclesiastes 2:2, Proverbs26:3.

8.

Profundity’s Fugue – “Questions; Questions” | Opus 9 No. 8

A fugue where the answers to the contrapuntal subject are questions. Bibl. Mathew 21:23-42.

9.

The Return of Christ – “Eschatological” | Opus 9 No. 9

This, ‘The Return of Christ’, piece has all the thrills, spills and trills for the end of time. And, furthermore, attend the shofar direction. Bibl. 1 Corinthians 15:52, Revelation 19:16.

10.

The Destruction of Death + ‘Heaven’s Anthem’ | Opus 9 No. 10

Most people, understandably, fear death. Well, in this piece, Jesus Christ takes care of that enemy – forever. The music starts with blasts from the beautiful Saviour’s ‘weapon’. Mysterious music then comes forth. As we continue, there is an interesting two-line musical lexicon for a time. Your attention would be good to enquire the different treatments. We end the quirky dirge by becoming livelier to reach the exultant chorus I have called: ‘Heaven’s Anthem’. Bibl. 2 Timothy 1:9, Revelation 21:1.

Piano — The Ne Plus Ultras, Opus 9 Nos. 1-10 | Medley

Piano — The Ne Plus Ultras, Opus 9 Nos. 1-10 | Book

https://shop.ingramspark.com/b/084?params=P8J9Qa9dlABEpRnKLRdWIlQvIwJembm5ncbL4vfuvlA

e-Book | Piano — The Ne Plus Ultras, Opus 9 Nos. 1-10

https://www.michaelbobb.com/piano-the-ne-plus-ultras-opus-9-e-book

Categories
Music

Conducting the: Piano – The Ne Plus Ultras

Originally inspired by the variety of poetic voice, these ten characteristic pieces are dedicated to the interpreter of music.

For the connoisseur and the concert pianists:

Piano – The Ne Plus Ultras, Opus 9 Nos. 1-10

ne plus ultra1

Mark: the Piano – The Ne Plus Ultras, Opus 9 Nos. 1-10 is an important addition to the piano repertoire.

The Book Cover

The look and feel of the book in your hands stimulates the senses. A love at first encounter? There must be no option but ‘satisfaction guaranteed’ when the music is played.

The music is equally avant-garde.

e-Book

The Lecturers

The 48 and the 32 – and the opus 87 in response to the 48. The opus 10 and the opus 25 – and the lauded readings of the studies. The 4 Ballades and the 4 Scherzi – only an intellectual would receive the wit therein. Padre Antonio Soler – and his influence by the Kirkpatrick 555. The contemporary Christian praise and worship music genre – especially Stoneleigh International Bible Week conferences.

The Witnesses

  • The Concerto Argument
  • The Oxbridge Don
  • The 14 Inch Baton

For more details click here for my website:

Michael Bobb

  1. Footnote:
    ne plu ultra*
    noun
    the perfect or most extreme example of its kind; the ultimate.
    Similar
    the last word
    the ultimate example
    the best example
    the perfect example
    the ultimate
    the height
    the acme
    the zenith
    the culmination
    the epitome
    the quintessence
    perfection
    the nonesuch
    le dernier cri ↩︎

Categories
art

3 Videos From My ne plus ultra Catalogue

A Combination In Seconds

Upper Norwood Methodist Church

Music

J. S. Bach: Fugue in G minor BWV 578 ‘The Little’ Stokowski, Leopold License Info. License: Public Domain Copyright expired: Work from Author who died before 1947 [Died: 1750] Neighbouring Rights expired (EU: The term of protection for the neighbouring rights has been extended to 70 years since 1 November 2013. [2011/77/EU]: Recorded before 1962 and Published before 1962 [Recorded: 1958, Published: 1959]

Ad Digitos Curatus

South Norwood United Reformed Church

Music:

Same as above.

J. S. Bach: Fugue in G minor BWV 578 ‘The Little’ Stokowski, Leopold License Info. License: Public Domain Copyright expired: Work from Author who died before 1947 [Died: 1750] Neighbouring Rights expired (EU: The term of protection for the neighbouring rights has been extended to 70 years since 1 November 2013. [2011/77/EU]: Recorded before 1962 and Published before 1962 [Recorded: 1958, Published: 1959]

Archangel Michael Descending On St Paul’s Church

Saint Paul’s Church, Anerley

Music:

Same as above.

J. S. Bach: Fugue in G minor BWV 578 ‘The Little’ Stokowski, Leopold License Info. License: Public Domain Copyright expired: Work from Author who died before 1947 [Died: 1750] Neighbouring Rights expired (EU: The term of protection for the neighbouring rights has been extended to 70 years since 1 November 2013. [2011/77/EU]: Recorded before 1962 and Published before 1962 [Recorded: 1958, Published: 1959]

A Combination in Seconds NFT

https://app.manifold.xyz/c/ACombinationInSeconds